First Aid Kit may have enticed Anna Hamilton into the folk camp, but she’d like to see the band push itself a little further on its next album.
In a departure from much of del Toro’s work, The Shape of Water is oddly safe, sweet, and ordinary. Weirdly, it kinda works.
From Nadine Shah to Kesha, 2017 was a year of great music. We rounded up our ten favourite albums.
Growing up, Louise Hung felt like she could never be an entertainer…’because I’m Asian.’ Going to see an all-Asian American varity show was an intensely validating experience.
I do, and it’s still 100 percent worth it every time.
Puar’s latest scholarship delves into issues the disability studies community has yet to explore in depth, making for a challenging and vitally necessary read.
While uneven, Tori Amos’ Native Invader still manages to accomplish what it came for: Revealing that Tori Amos still has the magic touch.
The It remake captures the scariest parts of childhood — but it could have done without the obligatory clunky love triangle.
The latest from Professor Gayle Kimball swings, and misses, when it comes to exploring youth culture and society.
The Skeleton Tree takes on the heartwrenching aftermath of grief and what happens to those left behind after an unexpected devastating event. Though it’s a departure from past albums from Nick Cave and the Bad Seeds, it’s a must-listen.