There are many indelible images in David Cronenberg’s Crimes of the Future but none so tortuous as Viggo Mortensen’s performance artist, Saul Tenser, contorted on a feeding chair grown from bone...
Like many film journalists, not to mention jury members, who caught Hogir Hirori’s now discredited Sabaya at this year’s Sundance I was riveted, calling it (in the intro to my interview with...
Harper Marlowe, the protagonist in Alex Garland’s astounding third feature, Men, has one of those names that conjures up an array of literary possibility. Could she be part Harper Lee, observing...
Matt Weaver, University of Portsmouth Disney-Pixar’s latest animated escapade is about to hit our cinema screens. It’s the origin story of one of their most beloved characters – Toy Story’s...
The collective eyes of the cinema-going public may be held aloft (quite rightly) watching Tom Cruise fly jets for real in Top Gun: Maverick but another, more caustic film has made its way onto VOD...
Juliet Bashore’s Kamikaze Hearts, originally released in 1986 and now set to screen in a new 2K restoration by the UCLA Film & Television Archive (May 13 in NYC at BAM and May 20 in LA at...
No one should feel sorry for Michael Bay. Let’s get that straight from the off. His sledgehammer blockbusters have grossed close to 8 billion dollars so he should be set for a rainy day. His five...
Many years ago, during my BFI film journalism course, Nick James, the former editor of Sight & Sound told my class that it was impossible to watch every film released and the sooner we realised...
If God loves a trier then He must fucking worship Mikey ‘Saber’ Davies in Sean Baker’s latest movie Red Rocket. He’s a handsome, charming, reprehensible douchebag, a spray-and-pray asshole...
Much like Phantom Thread, Paul Thomas Anderson’s latest movie, Licorice Pizza is a film for all six senses. There is no living director preternaturally gifted at evoking a time or place we have...
