Senior Film Writer Mark Farnsworth teaches Film in East London and is currently working on two screenplays, The Mysteries and Fair Access. He also writes the Oh/Cult section for Brokenshark.co.uk.
“If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.” Who better than Émile Zola to comment on Janciza Bravo’s new movie and his namesake,...
The philosopher and celebrated pessimist, Eugene Thacker envisages the earth as, “the-world-without-us”, a world that is both, “impersonal and horrific” and disdainful of human existence....
When you think about male British actors in Hollywood, you can pretty much narrow them down into two distinct categories: the thespian and the movie star. The cultured thespians like Laurence Olivier...
There are times in Chloé Zhao’ s Nomadland where Frances McDormand’s face, lined and desperate, wistful and stoic seems to peer in from America’s Dust Bowl past to haunt its recent history....
Is there any image in the post 9/11 conspiracy drama genre more ubiquitous than heavily redacted legal files? Those black lines struck through word after word like blocks of thunder smothering all...
Joe Manganiello is Max Fist, a hulking hobo who may or may not be a superhero trapped on Earth and stripped of his godlike superpowers. He gulps and snorts earthbound ambrosia like gut rot whiskey...
What were you doing in the summer of 1995? The UK was buoyant, just two years away from New Labour’s landslide victory, casting off the yoke of a generation of Tory rule. Tony Blair was leader of...
The male gaze reversed. Our faces screwed up close in crotch shots of men gyrating, dressed in a smart casual nightmare, you know the kind of shit clothes bought for men by their wives or girlfriends...
What is it that makes a slight, inconsequential movie like “The Kid Detective” tap on your bedroom windows to keep you awake at night thinking about it? It’s a shaggy dog story of sorts about...
Director Ben Wheatley doth protest too much. He may want to play down any comparison to Alfred Hitchcock’s 1940 version of, “Rebecca”, but the parallels are too great to ignore. Both rotund,...