When it comes to Bryan Fuller, I have come to expect a certain kind of television. Hypersaturated colours, dream-like settings, quirky and enduring characters, a hint of darkness; his television is...
The long-delayed fourth season of Fox cult hit Arrested Development debuted on Netflix this weekend, to cries of delights from fans—10% of whom proceeded to marathon the show, consuming all 15...
He watches the winking green light. He is blissfully unaware that it is a bilious green, the green of envy, an old money Cyclops that never sleeps. This light will never be extinguished, never be...
Every now and then, I like to indulge myself with fantasies of storylines that could be, if only I could trust television to do them right. Those dreams loom especially large in the wake of finale...
Daft Punk’s latest album Random Access Memories resists easy categorisation. Undoubtedly an Event album, accompanied by an all-star guest list and Vice-sponsored short making-of documentary series,...
Christopher Guest is finally (and delightfully) back behind the camera with Family Tree, a new half-hour single-camera comedy on HBO co-created with Jim Piddock. The production is a bit of a...
“Fiercely intelligent” is the phrase used by a recent acquaintance, whose husband worked on “Shadow Dancer,” to describe the film’s director James Marsh. It’s a spot-on assessment that I...
Christina Yang. Fierce, independent, strong, and long one of my favourite characters on Shonda Rhimes’ ongoing hit Grey’s Anatomy. Played by the fantastic Sandra Oh, Yang is the epitome of the...
I tried not to embarrass Sam Morril. To understand how hard this was, for me, I should start at the beginning. Which was: On April 15, I went to a comedy show. The opener was one Sam Morril. And his...
Slavoj Zizek, The Year of Dreaming Dangerously, Verso, 2012. The work of Slavoj Zizek is by now a genre of critical theory in itself, complete with its own distinctive characteristics. These include:...