Jesse Moss’s docu-series, The Family, was executive produced by Alex Gibney, who likewise produced the Netflix series Dirty Money, which included an episode helmed by Moss (The Overnighters)....
There is a point in Apocalypse Now: The Final Cut when soldier-assassin, Capt. Willard emerges from Col. Kurtz’s compound, shrouded in black, hair like an oil slick, eyes blazing with Nietzschean...
Cast your eye over the films released in the past few years and those slated to come out in the near future and you'll notice a trend. Bohemian Rhapsody, Rocketman, Judy—these films aren't...
“Living is an adventure and a challenge…If anybody wants to keep creating they have to be about change.” Opening with the words of the great jazz musician himself, the tone is set for Stanley...
Comedy Central’s riotously weird series Strangers With Candy—which lasted for three seasons, until it was cancelled in favor of a show called Strip Mall—turns 20 this year. As a millennial,...
Mads Brügger’s Cold Case Hammarskjöld, which debuted at Park City back in January, is a cinematic reinvestigation of the mysterious 1961 plane crash that took the life of United Nations...
Stranger Things is back in the zeitgeist again. Here's one from the archives... All aboard the nostalgia train, next stop Netflix and the '80s themed series Stranger Things. We disembark in Hawkins,...
Shipmates, the shark days of summer are upon us once again! This year’s 31st annual celebration is shaping up to be a banger and we ain’t done yet. But something feels a little… off this year....
Ari Aster’s Midsommar begins, ends, and is punctuated with screaming. Screaming in films is generally a sign of catharsis, right? Sure. Well, and abject horror. Midsommar gives us both, of course....
Man, another year, another Independence Day weekend with no Twilight Zone marathon. What the heck does cable expect us to do with ourselves? My determination to avoid the sweet, sultry, Southern...