For Nan Goldin “survival was an art,” photography “a sublimation for sex,” and the art world “bullshit. Times Square was real life.” These are just some of the insights gleaned from Laura...
Nikolaus Geyrhalter has described his static-camera, nearly architecturally-composed, observational docs as “archival material, which people will dig out in 50 or 100 years.” Which makes perfect...
Like many film journalists, not to mention jury members, who caught Hogir Hirori’s now discredited Sabaya at this year’s Sundance I was riveted, calling it (in the intro to my interview with...
“What is a poetic cinema? That’s a question I’ve been thinking about, a question yet to be answered. It can’t just be that it's not linear. It has to propose a different kind of language and...
In the wake of the recent Supreme Court decision overturning Roe, leaving reproductive rights to be strangled by the groping hands of overwhelmingly male Republican state legislatures across the US,...
On its surface, Mind Over Murder - the titillatingly titled six-part doc series that debuted June 20 on HBO - might seem merely the latest addition to a bloated, true-crime juggernaut. And yet in the...
Juliet Bashore’s Kamikaze Hearts, originally released in 1986 and now set to screen in a new 2K restoration by the UCLA Film & Television Archive (May 13 in NYC at BAM and May 20 in LA at...
Nearly a quarter century ago, legendary journo and The Paris Review co-founder George Plimpton published “Truman Capote: In which Various Friends, Enemies, Acquaintances, and Detractors Recall...
For me the 2021 SCAD Savannah Film Festival, held both online and in person (masks and vaccine mandates strictly enforced) this past October in lovely Savannah, Georgia, was undoubtedly one of the...
Among the issues splitting Americans into tribal camps, perhaps only abortion and guns are more divisive than Kenny G. (Or maybe not. My left-leaning family members are pretty much in agreement on...